One, a woman named Methe, used graffiti to proclaim her love for Chrestus. According to professor Rebecca Benefiel, who spoke to National Geographic, there are even examples of graffiti from female slaves. Yet, graffiti from a wide variety of people proves that quite a few Pompeians were literate. What archaeologists have found scratched onto the walls of Pompeii will surely surprise you.įor instance, many previous historians and archaeologists assumed that neither slaves nor women in Rome were able to write. Ash and other debris from the eruption also preserved the city's graffiti, which ranges from angry, to lewd, to downright touching and everything in between. The humanity of Pompeii's citizens is on display everywhere, from the bread left in an oven by bakers as the ashes fell to the people whose remains were found by excavators more than a thousand years later. 79 volcanic eruption, make that achingly clear. Excavations in the city of Pompeii, buried beneath the debris from an A.D. We may think of the ancient Romans as a bunch of noble, boring classicists, but the truth is that they were messy and complicated people, just like we are today. (In fact, the gross stuff would probably get the most attention.) Don't believe us? Then look to Pompeii. If our civilization were frozen in time and then uncovered centuries in the future, it's all but certain there would be at least a few graduate theses written about our graffiti, no matter how embarrassing the content. Other medieval graffiti symbols can be found in the curved arch over the main entrance of the Cathedral, depicting a horse and the medieval game of nine men’s morris, symbol of Jerusalem’s triple walls.It can all seem pretty inconsequential, but it's the little things that matter - to archaeologists, anyway. In the church of Santa Maria de Olivara there are instead, the three mysterious heads of archbishops. In the church of San Giovanni in Monterrone, in addition to Solomon’s Knots, there is also the seal of King Solomon and the Pentacle, which has a talismanic value. The anchor is a symbol of faith, and King Solomon’s Knot, a symbol of one’s becoming liberated from sin and from death. ![]() In the church of Santa Maria della Valle for example, a peacock is carved as a symbol of the resurrection. The boat represents the very image of the church, while the peacock represents the emblem of Christ in Christian mystical symbolism. Christians considered the cross or the church as symbols of salvation. Graffiti representing boats, horses, knights, towers and castles, are interpreted as the ex-voto of Crusaders. ![]() Within a rock church located in the Savorra area, there are the caved graffiti figures of horses, ships and soldiers, (both on foot and on horseback), as well as towers and castles with triangular flags with crosses on them and peacocks. ![]() For example, there is a cross with Golgotha that was carved into one of the walls of the church of the Madonna delle Tre Porte, while the carved face of a warrior, a knight on horseback and a ship can be found inside a cave in the area of Lucignano, in the Zambrone or San Bruno valley. Numerous Christian crosses were engraved over the years onto the rock walls of many of the medieval rock churches in the area. Rupestrian figurative culture is full of medieval graffiti. Tipologia: Rock church and Site of interest
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